Abstract
As a unique art form, sound installation provides a broad platform for exploring the interaction between technology, art and physical experience. Whispered Silhouette is an interactive sound installation that explores the relationship between the voice, identity, sound, space and interaction through sound transformation and spatial engagement. Using real-time sound processing technology, the installation transforms and deconstructs human voice, removes its semantic meaning, and incorporates physical interaction, inviting participants to rethink the fluidity of sound, space, and body. The installation uses a discarded mobile box and two metal horns as speaker and receiver to construct a dynamic, interactive acoustic space through participants’ voice input and physical interaction. This work combines artistic experimentation using a technological approach, using Max/MSP as the core development environment to realize real-time voice transformation and multi-layered sound experiences. Based on the unique design of the sound installation, this research aims to analyze the conceptual background, design methods, technical implementation and interactive design, exploring new possibilities at the intersection of technology and art while offering new perspectives for rethinking the relationships between sound, body, and space.
| Original language | English |
|---|---|
| Title of host publication | Proceeding of 2024 20th WOCMAT (Workshop on Computer Music and Audio Technology) Conference |
| Pages | 7-10 |
| Number of pages | 4 |
| Publication status | Published - 30 Dec 2024 |
| Event | 2024 20th International Workshop on Computer Music and Audio Technology Conference - Kainan University B103 Conference Hall, Taoyuan City, Taiwan, China Duration: 20 Dec 2024 → 21 Dec 2024 https://sites.google.com/view/2024-wocmat-workshop-on-c/home%E9%A6%96%E9%A0%81 |
Conference
| Conference | 2024 20th International Workshop on Computer Music and Audio Technology Conference |
|---|---|
| Abbreviated title | WOCMAT |
| Place | Taiwan, China |
| City | Taoyuan City |
| Period | 20/12/24 → 21/12/24 |
| Internet address |
Bibliographical note
Research Unit(s) information for this publication is provided by the author(s) concerned.Research Keywords
- sound art
- interactive art
- sound installation
- voice
- identity
- Sound Transformation
- Spatial Engagement
- Real-time Sound Processing Technology
- Physical Interaction
- Interactive Acoustic Space
- Max/MSP
- Multi-layered Sound Experiences
- Relationships between Sound, Body, and Space
Fingerprint
Dive into the research topics of 'WHISPERED SILHOUETTE: PROTOTYPING AN INTERACTIVE SOUND INSTALLATION WITH VOICE AND INTERACTION'. Together they form a unique fingerprint.Research output
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Technical Implementation and Artistic Expression Characteristics of Multimedia Electronic Music Creation in China
DAI, S. S. & GUI, R., Jul 2024, Proceedings of the 49th International Computer Music Conference 2024. Kye, H. S. & Dudas, R. (eds.). San Francisco, CA: International Computer Music Association, p. 192-196 6 p. (International Computer Music Conference, ICMC Proceedings; vol. 2024-July).Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review
Open AccessFile -
DAT/ACT Data Art for Climate Action Gallery
Ikeshiro, R. (Curator), Simon, L. (Co-curator) & Gui, R. (Producer), 23 Feb 2022, (Online published)Research output: Creative and Literary Works in Non - textual Form › RGC 44 - Performance and participation in exhibits
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Persona of A-Mei in Transition: Fan Identity and Identification
Gui, R., 2022, Popular Music in East and Southeast Asia: Sonic (under)Currents and Currencies. Santaella, M. A. (ed.). Sunway University Press, p. 63-70Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 12 - Chapter in an edited book (Author) › peer-review
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