Abstract
A 3-screen automated projection runs 431 clips from swordplay films spanning across 1927-2011, exploring visual styles and spatial imagination in Chinese swordplay films and their possible origins... The codes of the artist’s former work, Door Games Window Frames: Near Drama (2012), are adapted to highlight the counterpoint relations of three image discourses, from the minimalist-constructivist view of the locomotive human body and tools and objects of swordplay to the most basic criteria of locomotion.
| Translated title of the contribution | 《翻腾空》 |
|---|---|
| Original language | English |
| Publication status | Published - 9 Oct 2014 |
| Event | The Writing Machine Collective 5th exhibition: "Tracing Data" - , Hong Kong, China Duration: 9 Oct 2014 → 21 Oct 2014 |
Datasets
-
Tracing Data: What You See is Not What We Write, proceedings
Lai, L. C. H. (Creator), The Writing Machine Collective, 22 Jun 2015
http://www.writingmachine-collective.net/wordpress/wmc_e5-2014-catalog-is-ready-for-download/
Dataset
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