设计院作为一种混合型组织 : 在科层制与个人魅力之间
Design Institute as a Hybrid Organization : Between Bureaucracy and Charisma
Research output: Journal Publications and Reviews › RGC 21 - Publication in refereed journal › peer-review
Author(s)
Related Research Unit(s)
Detail(s)
Original language | Chinese (Simplified) |
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Pages (from-to) | 6-11 |
Journal / Publication | 时代建筑 |
Volume | 34 |
Issue number | 5 (总第163) |
Publication status | Published - 18 Sept 2018 |
Link(s)
DOI | DOI |
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Permanent Link | https://scholars.cityu.edu.hk/en/publications/publication(b6e35020-6254-4480-ab16-fc6af9610858).html |
Abstract
设计院的建筑生产表现为一种二重性结构:既有以集体创作、效率实用为优先的大规模生产,也有以个人探索、文化革新为特征的实验性实践。这种二重结构是由设计院的内在特征所决定。设计院既要承担物质环境的营造,也要承担文化创新的责任。设计院的历史演变揭示了这些对立统一因素的不断冲突、矛盾与博弈。
Architectural Production in China’s design institutes presents a dualist structure -- a combination of large-scale production characterized with collective collaboration and efficiency and restricted production characterized with individual exploration and cultural innovation. This mixed structure is determined by the internal logics of design institutes, which was responsible both for the construction of physical environment and cultural production. The history of design institutes reveals their internal conflict and contradiction in the process of evolution.
Research Area(s)
- 设计院, 集体创作, 个人探索, 效率, 文化, 体制, 解放, Design Institutes, Collective Collaboration, Individual Exploration, Efficiency, Culture, Institution, Emancipation