藝術社區的活動組織策略——藝術家主導的火炭工作室開放日模式

Strategies for Event Organizing in Art Communities : The Artist-Initiated Model of Fotan Open Studios

Research output: Chapters, Conference Papers, Creative and Literary Works (RGC: 12, 32, 41, 45)12_Chapter in an edited book (Author)peer-review

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Original languageChinese (Traditional)
Title of host publication香港視覺藝術年鑑2019
Editors 譚偉平, 李海燕, 梁妍
Place of PublicationHong Kong
PublisherDepartment of Fine Arts, The Chinese University of Hong Kong; The Chinese University Press
Pages103-129
ISBN (Print)978-962-7055-34-1
Publication statusPublished - Sep 2020

Abstract

Since the art teachers and students from The Chinese University of Hong Kong organized open studios events in 2001, there has been a rise of artistic activities in the industrial buildings in Fo Tan. Many artists moved in, forming a local art community. Having been organized for 19 years, “Fotan Open Studios” can be considered a long-lived artist-initiated event in Hong Kong. Man Ching-ying Phoebe has participated in the event ten times since 2009, but have never been an organizer. With the help of documents, research, interviews and participant observation, etc, she discusses how in recent years the event organization model of Fotan Open Studios has continued to bring artists in the district together to promote art, forming an art community.

Citation Format(s)

藝術社區的活動組織策略——藝術家主導的火炭工作室開放日模式. / 文晶瑩.

香港視覺藝術年鑑2019. ed. / 譚偉平; 李海燕; 梁妍. Hong Kong : Department of Fine Arts, The Chinese University of Hong Kong; The Chinese University Press, 2020. p. 103-129.

Research output: Chapters, Conference Papers, Creative and Literary Works (RGC: 12, 32, 41, 45)12_Chapter in an edited book (Author)peer-review