純淨的完型 : 蘇州博物館新館解讀
Pure Gestalt : Reading the New Suzhou Museum
Research output: Journal Publications and Reviews (RGC: 21, 22, 62) › 22_Publication in policy or professional journal
Author(s)
Related Research Unit(s)
Detail(s)
| Original language | Chinese (Traditional) |
|---|---|
| Pages (from-to) | 106 - 111 |
| Journal / Publication | 新建筑 |
| Volume | 27 |
| Issue number | 5 |
| Publication status | Published - 1 Oct 2010 |
Link(s)
| Permanent Link | https://scholars.cityu.edu.hk/en/publications/publication(7cc5832a-2e7b-4e9d-bd47-66f0d7b842ce).html |
|---|
Abstract
通過閱讀蘇州博物館新館作品及其與周圍環境之拓撲佈局關係,對照貝聿銘其他設計作品,嘗試以道與器、名與實的中、西方古典哲學視角,再度挖掘貝聿銘蘇州博物館新館的內涵及其設計手法,解讀分析這一完型之作中所體現的主題,並發現其對當今建築實踐的啟迪意義。
This paper reads I.M.Pei's New Suzhou Museum——its design and relationship with garden and setting,and tries to reveal the theme embodied through this design with Chinese and western philosophical angles,to research I.M.Pei's design spirit in his Suzhou Museum,so as to explore its meaning in nowadays architectural practice.
