Underground Music Cultures and Music-Making in Los Angeles: 'Imaginary Cities'

Sébastien Darchen (Editor), John Willsteed (Editor), Damien Charrieras (Editor)

Research output: Scholarly Books, Monographs, Reports and Case StudiesRGC 14 - Edited book (Editor)peer-review

Abstract

This book focuses on the relationships between underground urban music cultures in Los Angeles and specific urban imaginaries related to music practices, far away and sometimes in stark opposition to the commodified image of the city crafted by urban planners and associated urban stakeholders. Rather than this commodified city, and the 'imaginary city' of the mind, it examines the accidental, tangential life of a mirage. The city that appears in the distance is one that is formed by songs and music-making. The book shows how counter urban imaginaries emerge and are performed through diverse underground music making practices, giving rise to alternative ways of seeing the city. © The Editor(s) (if applicable) and The Author(s)
Original languageEnglish
Place of PublicationSwitzerland
PublisherPalgrave Macmillan
Number of pages274
ISBN (Electronic)9783031754999
ISBN (Print)9783031754982
DOIs
Publication statusPublished - 2025

Publication series

NamePalgrave Studies in the History of Subcultures and Popular Music
PublisherPalgrave Macmillan

Funding

Damien Charrieras would like to acknowledge the following: The contribution to this book by Damien Charrieras was fully supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China (Project No. CityU 11614519), and from CityU of Hong Kong (TDG No.6000783).

Research Keywords

  • music subcultures
  • music history
  • urban imaginaries
  • music urbanism
  • urban media studies

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