Abstract
The image of a weed becomes a hinge between two unimaginably disparate artistic spaces: Kitahara Hakushū's poetic inferiority and Suda Yoshihiro's art installations. Such intersection of "modern" poetry and "postmodern" art is (de)conceptualized through Suda's technique of carving weeds out of wood, thus re-sculpturing the perceptual space of the modern. ©Mosaic.
| Original language | English |
|---|---|
| Pages (from-to) | 19-36 |
| Journal | Mosaic |
| Volume | 43 |
| Issue number | 2 |
| Publication status | Published - Jun 2010 |
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