The ebb and flow of female homoeroticism in the online Chinese queer fandom of Super Voice Girl (2006)

Jamie J. ZHAO*

*Corresponding author for this work

Research output: Journal Publications and ReviewsRGC 21 - Publication in refereed journalpeer-review

Abstract

Super Voice Girl (SVG) was an Idol-style Chinese reality show that allowed only female contestants. The show became famous worldwide for featuring gender-nonconforming contestants. This article examines the rise and fall of the most popular online Chinese queer fandom of the 2006 SVG in the forum feise chaonv (FSCN). I focus on the fans’ ambivalent play with Chinese-specific female homoerotic imaginaries that initially popularized and protected but eventually led to the decay of FSCN as a queer fantasy space. First, I look at the subtle ways in which the 2006 SVG tactically normalized the female homoerotic imaginaries surrounding its tomboyish national finalists. Then, I examine FSCN fans’ struggles with both this female homoeroticism and the stigmatization of real-world lesbianism. I demonstrate that the fictional imagination of female homoeroticism sustained FSCN as a popular queer fantasy space after the show ended. Additionally, I detail the fans’ self-contradictory reactions to several real-life lesbian incidents involving the finalists that gradually came to light in the post-show years. I argue that the fans’ confinement of female homoeroticism to a youthful, memorable fantasy scenario that was substantially shaped by both Chinese mainstream and lesbian, gay, bisexual, transgender cultures eventually contributed to the abrupt end of FSCN’s queer-themed practices. © Intellect
Original languageEnglish
Pages (from-to)33-45
JournalThe Journal of Fandom Studies
Volume6
Issue number1
Online published1 Mar 2018
DOIs
Publication statusPublished - 2018
Externally publishedYes

Research Keywords

  • female homoeroticism
  • lesbianism
  • Chinese fandom
  • queer imagining
  • online fandom
  • Super Voice Girl

Fingerprint

Dive into the research topics of 'The ebb and flow of female homoeroticism in the online Chinese queer fandom of Super Voice Girl (2006)'. Together they form a unique fingerprint.

Cite this