TY - ADVS
T1 - The Date Series
A2 - LEUNG, Chi Wo
N1 - Record validation is based on the information provided by the researcher(s) concerned. Suggestions for further amendments or supplementary information can be sent to [email protected]
PY - 2018/1
Y1 - 2018/1
N2 - The Date Series began in 2017 with Leung Chi Wo’s visits to the locations where bomb attacks once took place during the 1967 riots. On the same date, at the same location, exactly fifty years later, the artist turns the camera skyward and captures the sky with black and white film. So far (May 2020), the series has expanded from the first six photographs to 26.
The series evolves into an ongoing reading of news archive of violent events from bombing to domestic conflicts, sexual assaults and gang fights and the collection of these events have become a social diary with a personal touch when the artist was able to revisit the sites of violence.
In naming the images, Leung chose civil and personal events that happened on the day of the crime, bringing to the forefront coexistences of ephemeral yet notable timelines referenced by the very same images. Through polysemy and polyphony, Leung systematizes the contemplation and conception of two kinds of parallel worlds: one temporally synchronous but spatially distant, another temporally distinct yet spatially unified.
Based on the groundwork of text and photography, the series expands to video My Random Diary and spoken word 50 Years.
AB - The Date Series began in 2017 with Leung Chi Wo’s visits to the locations where bomb attacks once took place during the 1967 riots. On the same date, at the same location, exactly fifty years later, the artist turns the camera skyward and captures the sky with black and white film. So far (May 2020), the series has expanded from the first six photographs to 26.
The series evolves into an ongoing reading of news archive of violent events from bombing to domestic conflicts, sexual assaults and gang fights and the collection of these events have become a social diary with a personal touch when the artist was able to revisit the sites of violence.
In naming the images, Leung chose civil and personal events that happened on the day of the crime, bringing to the forefront coexistences of ephemeral yet notable timelines referenced by the very same images. Through polysemy and polyphony, Leung systematizes the contemplation and conception of two kinds of parallel worlds: one temporally synchronous but spatially distant, another temporally distinct yet spatially unified.
Based on the groundwork of text and photography, the series expands to video My Random Diary and spoken word 50 Years.
KW - contemporary art
KW - history and photography
M3 - RGC 42 - Painting, sculpture, drawing, photograph
T2 - Something There and Never There
Y2 - 23 January 2018 through 10 March 2018
ER -