Abstract
How time is represented graphically has taken many forms but most commonly as a line. This simple visualization is founded in man’s first drawings and advanced in sophistication in tandem with advances in projectile weaponry which required the additional representation of space. Trajectory, a timeline through a space, is now the standard method of revealing aerial machine movement. Celestial Mechanics is a two-decade research project addressing the need for a multivariant visual system that represents the current realities of aerial traffic man-agement and congestion for better public understanding of the dangers. The unique design challenges of a single display capable of delineating all layers of movement—drones, helicopters, planes, weather balloons, layers of satellites, debris—often begin with the rudimentary tool of showing journey as a line. This paper considers the history, design and eventually art of the trajectory.
| Original language | English |
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| Pages | 221-226 |
| Number of pages | 6 |
| Publication status | Published - Oct 2020 |
| Event | 26th International Symposium on Electronic Art (ISEA 2020) - Montreal, Canada Duration: 13 Oct 2020 → 18 Oct 2020 http://www.isea-archives.org/docs/2020/ISEA2020-Proceedings.pdf https://isea2020.isea-international.org/timetable/ |
Conference
| Conference | 26th International Symposium on Electronic Art (ISEA 2020) |
|---|---|
| Place | Canada |
| City | Montreal |
| Period | 13/10/20 → 18/10/20 |
| Internet address |
Bibliographical note
Information for this record is supplemented by the author(s) concerned.Research Keywords
- Data Visualization
- Animation
- Aerial Traffic
- Aerial Congestion
- Design History
- Semiotics