Abstract
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology.
The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
© The Editor(s) (if applicable) and The Author(s) 2021.
The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
© The Editor(s) (if applicable) and The Author(s) 2021.
| Original language | English |
|---|---|
| Place of Publication | Singapore |
| Publisher | Palgrave Macmillan |
| Number of pages | 355 |
| ISBN (Electronic) | 9789811547201 |
| ISBN (Print) | 978-981-15-4722-5, 9789811547195 |
| DOIs | |
| Publication status | Published - 20 Jan 2022 |
| Externally published | Yes |
Research Keywords
- Adaptation and Authorial Identity
- Contemporary TV Series and Literature
- Democratic and Redemptive Reading
- Intertextuality and Paratexts
- Poetics and Television
- Seriality and Canonization
- Storytelling and Medium Specificity
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