Abstract
Since its founding by the City Contemporary Dance Company in 2004, Jumping Frames – Hong Kong International Movement-Image Festival has established itself as a pioneering platform at the intersection of embodied practice and visual media. More than a film festival, Jumping Frames has continuously redefined the boundaries of artistic experimentation and interdisciplinary exchange, acting as a vital nexus for local and international creative communities and serving as a microcosm of Hong Kong’s vibrant cultural landscape.
This anthology presents a multifaceted exploration of screendance and movement-image arts, bringing together a carefully curated collection of essays, roundtable discussions, and artistic reflections. It examines the reimagining of traditions, the body as a site of cultural critique, and the evolving interplay between movement and media technologies.
Spanning experiences from Hong Kong, East Asia, Southeast Asia, Europe, and beyond, this volume provides fresh perspectives for artists, curators, and scholars. It invites readers to reconsider the role of dance and moving images within contemporary art and to reflect on their broader cultural, social, and political implications.
Marking the 20th anniversary of Jumping Frames, this anthology celebrates two decades of artistic innovation, offering an inspiring resource for those seeking to explore the dynamic convergence of dance and media arts and envisioning new possibilities for the future of movement-image practices.
This anthology presents a multifaceted exploration of screendance and movement-image arts, bringing together a carefully curated collection of essays, roundtable discussions, and artistic reflections. It examines the reimagining of traditions, the body as a site of cultural critique, and the evolving interplay between movement and media technologies.
Spanning experiences from Hong Kong, East Asia, Southeast Asia, Europe, and beyond, this volume provides fresh perspectives for artists, curators, and scholars. It invites readers to reconsider the role of dance and moving images within contemporary art and to reflect on their broader cultural, social, and political implications.
Marking the 20th anniversary of Jumping Frames, this anthology celebrates two decades of artistic innovation, offering an inspiring resource for those seeking to explore the dynamic convergence of dance and media arts and envisioning new possibilities for the future of movement-image practices.
| Translated title of the contribution | 跳廿格: 亞洲與全球景觀的跨媒介表演與流動影像 |
|---|---|
| Original language | English |
| Place of Publication | Hong Kong |
| Publisher | Typesetter Publishing |
| Number of pages | 400 |
| ISBN (Print) | 978-962-78050-9-0 |
| DOIs | |
| Publication status | Published - Feb 2026 |
Bibliographical note
Information for this record is supplemented by the author(s) concerned.UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
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SDG 17 Partnerships for the Goals
Research Keywords
- Dance
- Moving image
- Art
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