Abstract
This paper discusses contemporary forms of photographic representation of space and, at the same time, new possibilities of making an objective spatial. Structured in two parts, it articulates an alternative model of photographic space in the form of a Spatial Photogram. We propose a novel photo-graphic practice, based on traditional pre-photographic image-making and today’s digital image methods.
In the first part, we analyze the cultural-artistic context of the historic developments in photography to articulate an objective image of space through comparing the movements of Functional Aesthetics and Neue Sachlichkeit (new objectivism) with the pre-photographic practices of camera-less photography – the photogram.
In the second part, we discuss the technical setup in the making of a Spatial Photogram focusing on comparing 3D printing and scanning methods, as well as the making of transfer tools between the digital methods and the chemical-based analogue cyanotype printing.
The result is a material-based image that introduces space as a density – a completely new method to articulate a representation of space in the context of photographic objectivism.
In the first part, we analyze the cultural-artistic context of the historic developments in photography to articulate an objective image of space through comparing the movements of Functional Aesthetics and Neue Sachlichkeit (new objectivism) with the pre-photographic practices of camera-less photography – the photogram.
In the second part, we discuss the technical setup in the making of a Spatial Photogram focusing on comparing 3D printing and scanning methods, as well as the making of transfer tools between the digital methods and the chemical-based analogue cyanotype printing.
The result is a material-based image that introduces space as a density – a completely new method to articulate a representation of space in the context of photographic objectivism.
| Original language | English |
|---|---|
| Title of host publication | PROCEEDINGS - ISEA2022 Barcelona |
| Subtitle of host publication | POSSIBLES, 27 International Symposium on Electronic Art |
| Editors | Pau Alsina, lrma Vila, Susanna Tesconi, Joan Soler-Adillon, Enrie Mor |
| Publisher | Universitat Oberta de Catalunya |
| Pages | 270-276 |
| Number of pages | 7 |
| ISBN (Electronic) | 978-84-08-47459-2 |
| Publication status | Published - Jun 2022 |
| Event | 27th International Symposium on Electronic Art (ISEA 2022): Possibles - Centre de Cultura Contemporània de Barcelona, Barcelona, Spain Duration: 10 Jun 2022 → 16 Jun 2022 https://isea2022.isea-international.org/ |
Conference
| Conference | 27th International Symposium on Electronic Art (ISEA 2022) |
|---|---|
| Abbreviated title | ISEA'22 |
| Place | Spain |
| City | Barcelona |
| Period | 10/06/22 → 16/06/22 |
| Internet address |
Research Keywords
- Alternative Photography
- Photography
- 3D printing
- 3D scanning
- Cyanotype
- Neue Sachlichkeit
- Digital Craft
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