SoundLab, a spatial audio research/practice unit in Hong Kong

Ryo Ikeshiro*, PerMagnus Lindborg

*Corresponding author for this work

Research output: Chapters, Conference Papers, Creative and Literary WorksRGC 32 - Refereed conference paper (with host publication)peer-review

Abstract

The presentation introduces the design and installation of SoundLab [1], a physical art/research space with a hemispherical loudspeaker array dedicated to high spatial resolution audio at the School of Creative Media in City University of Hong Kong began in November 2020. It also introduces a recently begun study on the local context of sonic art in Hong Kong and possible future directions for the genre in the region to which it aims to contribute through its research and art as well as teaching and outreach activities.
Original languageEnglish
Title of host publicationProceedings of ISEA2022 Barcelona, 27th International Symposium on Electronic Art
EditorsPau Alsina, lrma Vilà, Susanna Tesconi, Joan Soler-Adillon, Enrie Mor
Place of PublicationBarcelona, Spain
Pages1009-1010
Number of pages2
DOIs
Publication statusPublished - Jun 2022
Event27th International Symposium on Electronic Art, ISEA 2022 - CCCB: Centre de Cultura Contemporània de Barcelona, Barcelona, Spain
Duration: 10 Jun 202216 Jun 2022
https://isea2022.isea-international.org/
https://www.isea-archives.org/proceedings-catalogue-2/

Conference

Conference27th International Symposium on Electronic Art, ISEA 2022
Country/TerritorySpain
CityBarcelona
Period10/06/2216/06/22
Internet address

Bibliographical note

Information for this record is supplemented by the author(s) concerned.

Research Keywords

  • Hong Kong
  • sonic art
  • sound art
  • experimental music
  • electroacoustic music
  • media art
  • SoundLab
  • surround sound
  • spatial audio
  • Ambisonics
  • VR/AR/MR
  • high density loudspeaker array
  • progress report
  • perception
  • sonification
  • auditory display
  • soundscape

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