Abstract
Leung Chi Wo’s reflective practice combines historical exploration with conceptual inquiry within a contemporary urban landscape. Ranging from photography and video to text, performance and installation, the artist is concerned with the undetermined relationship between conception, perception and understanding in the process of making sense. The exhibition, titled after a 4 channel-video work commissioned for Marrakech Biennale 2012, brings together four recent installations; Sign (2008, Australia), Depot of Disappearance (2009, Austria), Sign Read (2011, Singapore) and So I don’t really know sometimes if it’s because of culture (2012, Morocco). Given that each work was conceived either for an overseas exhibition or during an international residency, the affect of foreign languages, cultures and societies are keys factors in the resultant work and their final interpretation. In each instance, due to the status of the artist as visitor, he was able to view issues familiar to the local audience as unusual, or even alien, resulting in original and often poetic interpretations of the local culture and, in instances, their differences.
| Original language | English |
|---|---|
| Publication status | Published - 24 Apr 2014 |
Bibliographical note
Time: April 24, 2014 - May 17, 2014Organizer: School of Creative Media, City University of Hong Kong
Country: Hong Kong
Research Keywords
- Leung Chi Wo
- Hong Kong art
- contemporary art
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