TY - GEN
T1 - PRESENTATION OF SELF IN MACHINE LIFE
T2 - 2022 IEEE VIS Arts Program (VISAP 2022)
AU - RAY, LC
AU - KAPPA, Mizuho
PY - 2022
Y1 - 2022
N2 - The world has been driven apart by recent events, making long distance performative mingling difficult to achieve, especially those employing in-person collaboration between humans and machines. How shall we reclaim a tangible exchange with other parts of the world that has presence and meaning, as opposed to impersonal virtual interactions? We created and choreographed and an art technology performance that allows viewers in Oklahoma City to immerse themselves in a collaborative narrative space between a dancer in the US and a robot arm in City University of Hong Kong's Studio for Narrative Spaces. The performance is shown in either online or offline form to audiences, who witness the narrative of a dancer and a robot who communicate with each other through movement, sometimes leading one another, sometimes frustrating each other, as if each are present to the other across a 12 hour divide. Without viewing the machine directly, the dancer relies on limited perspectives and sounds to enable bi-directional communication.
AB - The world has been driven apart by recent events, making long distance performative mingling difficult to achieve, especially those employing in-person collaboration between humans and machines. How shall we reclaim a tangible exchange with other parts of the world that has presence and meaning, as opposed to impersonal virtual interactions? We created and choreographed and an art technology performance that allows viewers in Oklahoma City to immerse themselves in a collaborative narrative space between a dancer in the US and a robot arm in City University of Hong Kong's Studio for Narrative Spaces. The performance is shown in either online or offline form to audiences, who witness the narrative of a dancer and a robot who communicate with each other through movement, sometimes leading one another, sometimes frustrating each other, as if each are present to the other across a 12 hour divide. Without viewing the machine directly, the dancer relies on limited perspectives and sounds to enable bi-directional communication.
UR - http://www.scopus.com/inward/record.url?scp=85146118491&partnerID=8YFLogxK
UR - http://gateway.isiknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcAuth=LinksAMR&SrcApp=PARTNER_APP&DestLinkType=FullRecord&DestApp=WOS&KeyUT=000922109900002
UR - https://www.scopus.com/record/pubmetrics.uri?eid=2-s2.0-85146118491&origin=recordpage
U2 - 10.1109/VISAP57411.2022.00009
DO - 10.1109/VISAP57411.2022.00009
M3 - RGC 32 - Refereed conference paper (with host publication)
SN - 978-1-6654-6366-9
SP - 12
EP - 13
BT - 2022 IEEE VIS Arts Program VISAP 2022 - Proceedings
PB - IEEE
CY - Los Alamitos, Calif.
Y2 - 19 October 2022 through 20 October 2022
ER -