Abstract
In this paper, using a theoretical framework of political interpretation of new media art and interaction, I describe some political new media artworks that I have created and exhibited. Knowing that all relevant enough cultural phenomena admit a political interpretation and, therefore, carry a political stance, new media art’s relationship with new technologies carries an extensive phenomenological corpus that intersects many areas of knowledge, rendering sensible the need of awareness of some of these political stances.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of the 24th International Symposium on Electronic Art |
| Subtitle of host publication | ISEA 2018 |
| Editors | Rufus Adebayo, Ismail Farouk, Steve Jones , Maleshoane Rapeane-Mathonsi |
| Pages | 118-122 |
| Publication status | Published - Jun 2018 |
| Event | 24th International Symposium on Electronic Art (ISEA2018) - Durban, South Africa Duration: 23 Jun 2018 → 30 Jun 2018 http://www.isea-international.org/isea2018/ |
Conference
| Conference | 24th International Symposium on Electronic Art (ISEA2018) |
|---|---|
| Place | South Africa |
| City | Durban |
| Period | 23/06/18 → 30/06/18 |
| Internet address |
Research Keywords
- Politics
- New Media Art
- Interaction
- Installation
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