Photographing paintings by image fusion

Gloria Haro, Antoni Buades, Jean-Michel Morel

Research output: Journal Publications and ReviewsRGC 21 - Publication in refereed journalpeer-review

18 Citations (Scopus)

Abstract

This paper addresses the problem of obtaining a quality photograph of a painting by multi-image fusion methods. The problem is particularly challenging because of the uncontrolled illumination conditions and of the destructive reflection speckle present in most photographs of paintings. A fully automatic image processing chain is described that, starting from several bursts of a painting taken under different angles, permits one to obtain the best possible result by eliminating highlights and motion blur by robust statistics, reducing noise by fusion, and compensating optical distortion in the registration process. This image fusion method is applicable to photographs of a painting taken with a hand-held camera without any particular setup. It works under bad lighting conditions and eliminates motion blur, even when the painting is protected by a glass screen creating structured reflections of the room. The careful discussion of each step of the processing chain also permits one to review and discuss the efficiency of the image fusion tools recently proposed in the literature and insert several new ones in the chain. © 2012 Society for Industrial and Applied Mathematics.
Original languageEnglish
Pages (from-to)1055-1087
JournalSIAM Journal on Imaging Sciences
Volume5
Issue number3
DOIs
Publication statusPublished - 2012
Externally publishedYes

Bibliographical note

Publication details (e.g. title, author(s), publication statuses and dates) are captured on an “AS IS” and “AS AVAILABLE” basis at the time of record harvesting from the data source. Suggestions for further amendments or supplementary information can be sent to [email protected].

Research Keywords

  • Denoising
  • Multi-image processing
  • Registration
  • Restoration

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