Abstract
This chapter analyses the emergence of the Electro Dance Music Culture respectively in Hong Kong and Shenzhen through the emergence (and demise for one) of two clubs in Hong Kong and its neighbouring Shenzhen. These clubs offer a place for alternative electronic dance music cultures to develop. Despite some common points between the two EDM cultures, Hong Kong and Shenzhen have distinct Electro Dance Music Culture that warrants further explorations.
| Original language | English |
|---|---|
| Title of host publication | Electronic Cities |
| Subtitle of host publication | Music, Policies and Space in the 21st Century |
| Editors | Sébastien Darchen, Damien Charrieras, John Willsteed |
| Place of Publication | Singapore |
| Publisher | Palgrave Macmillan |
| Chapter | 14 |
| Pages | 223-241 |
| Number of pages | 19 |
| ISBN (Electronic) | 978-981-33-4741-0 |
| ISBN (Print) | 978-981-33-4740-3 |
| DOIs | |
| Publication status | Published - 2021 |
Bibliographical note
Information for this record is supplemented by the author(s) concerned.Research Keywords
- Hong Kong
- electronic dance music
- nighttime economy
- Shenzhen
- Underground Electronic
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