Netflix and the Global Receptions of Korean Popular Culture: Transnational Perspectives: Introduction

Dal Yong JIN, Sangjoon LEE, Seok-Kyeong HONG

Research output: Journal Publications and ReviewsRGC 21 - Publication in refereed journalpeer-review

4 Citations (Scopus)
262 Downloads (CityUHK Scholars)

Abstract

This editorial introduction examines the Netflix effect in the Korean wave tradition. It analyzes the ways the world’s most influential over-the-top platform is changing the production, distribution, and consumption of South Korean popular culture in the global cultural markets from the perspective of transnational culture. It provides a deeper understanding of the transformations of regional and transnational cultural industry practices, creative labor, artistic challenges, and transnational reception juxtaposed with and in response to the Korean cultural industries’ quantum leap in the (post-)age of the COVID-19 pandemic. We attempt to advance our current debates and place them in contexts relevant to future work in transnational cultural studies in the digital platform era. © 2023 (Dal Yong Jin, Sangjoon Lee, and Seok-Kyeong Hong). Licensed under the Creative Commons Attribution Non-commercial No Derivatives (by-nc-nd). Available at http://ijoc.org.
Original languageEnglish
Pages (from-to)6887-6895
JournalInternational Journal of Communication
Volume17
Online publishedNov 2023
Publication statusPublished - 2023
Externally publishedYes

Bibliographical note

Month information for this publication is provided by the author(s) concerned.

Research Keywords

  • digital platforms
  • K-pop
  • Korean Wave
  • Netflix
  • popular culture
  • transnationalism

Publisher's Copyright Statement

  • This full text is made available under CC-BY-ND 4.0. https://creativecommons.org/licenses/by-nd/4.0/

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