Abstract
This editorial introduction examines the Netflix effect in the Korean wave tradition. It analyzes the ways the world’s most influential over-the-top platform is changing the production, distribution, and consumption of South Korean popular culture in the global cultural markets from the perspective of transnational culture. It provides a deeper understanding of the transformations of regional and transnational cultural industry practices, creative labor, artistic challenges, and transnational reception juxtaposed with and in response to the Korean cultural industries’ quantum leap in the (post-)age of the COVID-19 pandemic. We attempt to advance our current debates and place them in contexts relevant to future work in transnational cultural studies in the digital platform era. © 2023 (Dal Yong Jin, Sangjoon Lee, and Seok-Kyeong Hong). Licensed under the Creative Commons Attribution Non-commercial No Derivatives (by-nc-nd). Available at http://ijoc.org.
| Original language | English |
|---|---|
| Pages (from-to) | 6887-6895 |
| Journal | International Journal of Communication |
| Volume | 17 |
| Online published | Nov 2023 |
| Publication status | Published - 2023 |
| Externally published | Yes |
Bibliographical note
Month information for this publication is provided by the author(s) concerned.Research Keywords
- digital platforms
- K-pop
- Korean Wave
- Netflix
- popular culture
- transnationalism
Publisher's Copyright Statement
- This full text is made available under CC-BY-ND 4.0. https://creativecommons.org/licenses/by-nd/4.0/