Music Production for Dolby Atmos and Auro 3D

Robert Jay Ellis-Geiger

Music Production for Dolby Atmos and Auro 3D

^*Corresponding author for this work

School of Creative Media

Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

4 Citations (Scopus)

Abstract

This paper explores 3D cinematic spatial audio techniques adapted and develop for Dolby Atmos and Auro-3D by the author for the production of music for feature film. The main objective was to develop a way of recording and mixing music that could translate to both Dolby Atmos and Auro-3D cinema reproduction systems.

Original language	English
Title of host publication	141st Audio Engineering Society International Convention 2016, AES 2016
Publisher	Audio Engineering Society
Publication status	Published - 2 Oct 2016
Event	141st Audio Engineering Society International Convention 2016, AES 2016 - Los Angeles, United States Duration: 29 Sept 2016 → 2 Oct 2016

Conference

Conference	141st Audio Engineering Society International Convention 2016, AES 2016
Place	United States
City	Los Angeles
Period	29/09/16 → 2/10/16

Bibliographical note

The information for this conference does not contain sufficient affiliation information. With consent from the author(s) concerned, the Research Unit(s) information for this record is based on the existing academic department affiliation of the author(s).

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PY - 2016/10/2

Y1 - 2016/10/2

N2 - This paper explores 3D cinematic spatial audio techniques adapted and develop for Dolby Atmos and Auro-3D by the author for the production of music for feature film. The main objective was to develop a way of recording and mixing music that could translate to both Dolby Atmos and Auro-3D cinema reproduction systems.

AB - This paper explores 3D cinematic spatial audio techniques adapted and develop for Dolby Atmos and Auro-3D by the author for the production of music for feature film. The main objective was to develop a way of recording and mixing music that could translate to both Dolby Atmos and Auro-3D cinema reproduction systems.

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M3 - RGC 32 - Refereed conference paper (with host publication)

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PB - Audio Engineering Society

T2 - 141st Audio Engineering Society International Convention 2016, AES 2016

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ER -

Music Production for Dolby Atmos and Auro 3D

Abstract

Conference

Bibliographical note

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