Media appropriation and explicitation

Tomás Laurenzo*

*Corresponding author for this work

Research output: Journal Publications and ReviewsRGC 21 - Publication in refereed journalpeer-review

1 Citation (Scopus)
25 Downloads (CityUHK Scholars)

Abstract

This paper presents a novel characterization of new media art together with an exploration of some key aspects of its practice: I propose that new media art’s defining characteristics are media appropriation and explicitation. With media appropriation I refer to the dialectal inscription into the art practice of the knowledge that allows for some particular technological production. I also propose that new media art’s language is constructed in part via the explicitation of certain aspects of more ‘traditional’ art, and that this explicitation allows for a construction of a new vocabulary. Examples of this are the explicitation of randomness, interaction, programming, or of the role that tools and instruments play, among others.
Original languageEnglish
Pages (from-to)27-36
JournalJournal of Science and Technology of the Arts
Volume8
Issue number2
DOIs
Publication statusPublished - 2016

Research Keywords

  • Appropriation
  • Art theory
  • Explicitation
  • New media art

Publisher's Copyright Statement

  • This full text is made available under CC-BY 3.0. https://creativecommons.org/licenses/by/3.0/

Fingerprint

Dive into the research topics of 'Media appropriation and explicitation'. Together they form a unique fingerprint.

Cite this