Land Enough

Research output: Creative and Literary Works in Non - textual FormRGC 44 - Performance and participation in exhibits

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Author(s)

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Detail(s)

Original languageEnglish
Publication statusPublished - 7 Dec 2022

Conference

Title15th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia (SIGGRAPH Asia 2022)
LocationDaegu Exhibition & Convention Center (EXCO)
PlaceKorea, Republic of
CityDaegu
Period6 - 9 December 2022

Abstract

“What will be the meaning of developing technology if we don’t even have enough living environment?” With this question in mind, Land Enough merges the present with a fictional, climate-destroyed future to encourage the speculation of future technologies, hoping it can in turn promote people to have a positive change in their current climate actions. What is non-fungible are the stories we tell ourselves in this future landscape. As an alternative to destructive NFT interventions, we developed a participatory workshop where 20 strangers from 11 nationalities were brought to a trash-covered secluded beach to enact a community of fledging survivors of a coastal community at the edge of time. A series of participatory artworks about possible future technological artifacts were made through role-playing in a climate-destroyed fictional future. We aim to exhibit the artifacts along with sketches and video, opening up a space to discuss and speculate about what is non-fungible to the human future. This exhibition and process invite the consideration of sustainable technology development and artmaking for a more human-driven future.

Bibliographic Note

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Citation Format(s)

Land Enough. LC, RAY (Curator); Agcal, Bengi (Artist); Yin, Ziyou (Designer) et al.. 2022. Event details: 15th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia (SIGGRAPH Asia 2022), Daegu Exhibition & Convention Center (EXCO), Daegu, Korea, Republic of.

Research output: Creative and Literary Works in Non - textual FormRGC 44 - Performance and participation in exhibits