Push The ENVELOPE: A Project to Explore Creative Engagement between Musicians and Audiences in Hong Kong

Karen Yu; PerMagnus Lindborg

Push The ENVELOPE: A Project to Explore Creative Engagement between Musicians and Audiences in Hong Kong

^*Corresponding author for this work

School of Creative Media

Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

27 Downloads (CityUHK Scholars)

Abstract

Push The ENVELOPE Sound Art Initiative is a two-year Program curated by Contemporary Musiking Hong Kong and designed by a team of professional sound artists, instrument designers, experimental musicians and composers to introduce sound as a medium for creation and collaboration. This paper describes the background to and impetus of the initiative; gives an outline of activities; and discusses objectives and methods for engaging deeper contacts between audiences and artists in Hong Kong.

Original language	English
Title of host publication	Proceedings of the Ubiquitous Music Symposium 2024 (UbiMus 2024)
Editors	Gerald Estadieu, Marcello Messina, Carlos Gómez, Damián Keller, Guido Kramann, Martin Koszolko
Publisher	g-ubimus
Pages	1-9
Number of pages	9
ISBN (Print)	978-65-01-18540-8
Publication status	Published - Nov 2024
Event	14th International Symposium of Ubiquitous Music - University of Saint Joseph, Macau, China Duration: 31 Oct 2024 → 2 Nov 2024 https://ubimus2024.fah.usj.edu.mo/

Conference

Conference	14th International Symposium of Ubiquitous Music
Abbreviated title	Ubimus2024
Place	China
City	Macau
Period	31/10/24 → 2/11/24
Internet address	https://ubimus2024.fah.usj.edu.mo/

Bibliographical note

Information for this record is supplemented by the author(s) concerned.

Publisher's Copyright Statement

This full text is made available under CC-BY-NC-SA 4.0. https://creativecommons.org/licenses/by-nc-sa/4.0/

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252032667.pdfFinal Published version, 3.26 MBLicence: CC BY-NC-SA

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3 RGC 32 - Refereed conference paper (with host publication)
1 RGC 12 - Chapter in an edited book (Author)
1 RGC 21 - Publication in refereed journal

Towards Sustainable Sonic Arts Practices: Less Glitz, More Grit
Lindborg, P., 13 Jul 2024, Proceedings of the Internatonal Computer Music Conference 2024. International Computer Music Association, p. 244-248 (International Computer Music Conference, ICMC Proceedings; vol. 2024-July).
Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review
迈向可持续的声音艺术实践
Translated title of the contribution: Towards a sustainable sound art practice, less flashy, more real佩尔马格努斯·林德伯格 (PerMagnus Lindborg ) & 钟文 (Translator), Mar 2024, 音乐与声音研究（第五辑）. 李俊梅 (ed.). 第 1 版 ed. 中国传媒大学出版社, p. 43-52 10 p.
Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 12 - Chapter in an edited book (Author) › peer-review
SoundLab, first three years [studio report]
Lindborg, P. & Ikeshiro, R., Oct 2023, Proceedings of the 2023 International Computer Music Conference. International Computer Music Association, p. 70-72 (International Computer Music Conference, ICMC Proceedings).
Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

Open Access
File

14th International Symposium on Ubiquitous Music
Lindborg, P. M. (Advisory Chair)
27 Apr 2024 → 31 Dec 2024
Activity: Organizing or Participating in a conference / an event › Conference / Symposium
Electroacoustic Music Studies Asia Network (EMSAN) (Publisher)
Battier, M. (Editor-in-Chief) & Lindborg, P. M. (Editor)
12 Jan 2024 → …
Activity: Publication peer-review and editorial work (RGC: 61) › Editorial membership and others
Digitally Engaged Learning [DEL]
LINDBORG, P. M. (Advisory Chair)
23 Sept 2021 → 25 Sept 2021
Activity: Organizing or Participating in a conference / an event › Conference / Symposium

File

Cite this

@inproceedings{d062efa0704647eb865b16f971c9c456,

title = "Push The ENVELOPE: A Project to Explore Creative Engagement between Musicians and Audiences in Hong Kong",

abstract = "Push The ENVELOPE Sound Art Initiative is a two-year Program curated by Contemporary Musiking Hong Kong and designed by a team of professional sound artists, instrument designers, experimental musicians and composers to introduce sound as a medium for creation and collaboration. This paper describes the background to and impetus of the initiative; gives an outline of activities; and discusses objectives and methods for engaging deeper contacts between audiences and artists in Hong Kong. ",

author = "Karen Yu and PerMagnus Lindborg",

note = "Information for this record is supplemented by the author(s) concerned.; 14th International Symposium of Ubiquitous Music, Ubimus2024 ; Conference date: 31-10-2024 Through 02-11-2024",

year = "2024",

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language = "English",

isbn = "978-65-01-18540-8",

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editor = "Gerald Estadieu and Marcello Messina and Carlos G{\'o}mez and Dami{\'a}n Keller and Guido Kramann and Martin Koszolko",

booktitle = "Proceedings of the Ubiquitous Music Symposium 2024 (UbiMus 2024)",

publisher = "g-ubimus",

url = "https://ubimus2024.fah.usj.edu.mo/",

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Push The ENVELOPE: A Project to Explore Creative Engagement between Musicians and Audiences in Hong Kong. / Yu, Karen; Lindborg, PerMagnus.
Proceedings of the Ubiquitous Music Symposium 2024 (UbiMus 2024). ed. / Gerald Estadieu; Marcello Messina; Carlos Gómez; Damián Keller; Guido Kramann; Martin Koszolko. g-ubimus, 2024. p. 1-9.

Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

TY - GEN

T1 - Push The ENVELOPE

T2 - 14th International Symposium of Ubiquitous Music

AU - Yu, Karen

AU - Lindborg, PerMagnus

N1 - Information for this record is supplemented by the author(s) concerned.

PY - 2024/11

Y1 - 2024/11

N2 - Push The ENVELOPE Sound Art Initiative is a two-year Program curated by Contemporary Musiking Hong Kong and designed by a team of professional sound artists, instrument designers, experimental musicians and composers to introduce sound as a medium for creation and collaboration. This paper describes the background to and impetus of the initiative; gives an outline of activities; and discusses objectives and methods for engaging deeper contacts between audiences and artists in Hong Kong.

AB - Push The ENVELOPE Sound Art Initiative is a two-year Program curated by Contemporary Musiking Hong Kong and designed by a team of professional sound artists, instrument designers, experimental musicians and composers to introduce sound as a medium for creation and collaboration. This paper describes the background to and impetus of the initiative; gives an outline of activities; and discusses objectives and methods for engaging deeper contacts between audiences and artists in Hong Kong.

M3 - RGC 32 - Refereed conference paper (with host publication)

SN - 978-65-01-18540-8

SP - 1

EP - 9

BT - Proceedings of the Ubiquitous Music Symposium 2024 (UbiMus 2024)

A2 - Estadieu, Gerald

A2 - Messina, Marcello

A2 - Gómez, Carlos

A2 - Keller, Damián

A2 - Kramann, Guido

A2 - Koszolko, Martin

PB - g-ubimus

Y2 - 31 October 2024 through 2 November 2024

ER -

Push The ENVELOPE: A Project to Explore Creative Engagement between Musicians and Audiences in Hong Kong

Abstract

Conference

Bibliographical note

Publisher's Copyright Statement

Access Output

Other Access Options

Permanent Link

Fingerprint

Research output

Towards Sustainable Sonic Arts Practices: Less Glitz, More Grit

迈向可持续的声音艺术实践

SoundLab, first three years [studio report]

Activities

14th International Symposium on Ubiquitous Music

Electroacoustic Music Studies Asia Network (EMSAN) (Publisher)

Digitally Engaged Learning [DEL]

Cite this