TY - GEN
T1 - Film music scoring using a digital audio workstation
AU - Ellis-Geiger, Robert Jay
PY - 2005
Y1 - 2005
N2 - This poster represents a new approach to the process of film scoring, whereby technology is used to dramatically improve communication between all agents of a film production team, most notably between the composer, director, sound designer, orchestrator, music editor and film editor. It considers the impact of technology on aspects of the film making process and further discusses how selected film music composers currently use technology as part of their production process and the changing role of the orchestrator within the Hollywood context.
AB - This poster represents a new approach to the process of film scoring, whereby technology is used to dramatically improve communication between all agents of a film production team, most notably between the composer, director, sound designer, orchestrator, music editor and film editor. It considers the impact of technology on aspects of the film making process and further discusses how selected film music composers currently use technology as part of their production process and the changing role of the orchestrator within the Hollywood context.
UR - http://www.scopus.com/inward/record.url?scp=84866490935&partnerID=8YFLogxK
UR - https://www.scopus.com/record/pubmetrics.uri?eid=2-s2.0-84866490935&origin=recordpage
M3 - RGC 32 - Refereed conference paper (with host publication)
SN - 9781604234848
VL - 3
SP - 1121
EP - 1129
BT - Audio Engineering Society - 118th Convention Spring Preprints 2005
T2 - 118th Convention Spring Preprints 2005
Y2 - 28 May 2005 through 31 May 2005
ER -