Abstract
Zuni Icosahedron’s Architecture of the City draws on the architectural theory of Aldo Rossi to stage a manifesto on the
erosion of collective memory in Hong Kong amid rampant development and diminishing autonomy. Rimini Protokoll’s Remote Hong Kong orchestrates an urban walking tour, during
which the compliance of ‘the horde’ is tested against the
voice of an AI guide. These productions foreground the role
that technology and infrastructure play in the performance
of the city, while using performance to expand memory and
trust, two capacities that define the quality of interactions
and forms of participation within the city.
| Original language | English |
|---|---|
| Publication status | Presented - Jul 2019 |
| Event | Performance Studies International annual conference: Elasticity - University of Calgary, Calgary, Canada Duration: 4 Jul 2019 → 7 Jul 2019 https://www.psi2019calgary.com |
Conference
| Conference | Performance Studies International annual conference |
|---|---|
| Abbreviated title | PSi |
| Place | Canada |
| City | Calgary |
| Period | 4/07/19 → 7/07/19 |
| Internet address |
Bibliographical note
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