TY - ADVS
T1 - Door Games, Window Frames: Near Drama (single-channel video version) at EXiS 2012
T2 - EXiS20112 (program: EX-Now 4
A2 - LAI, Chiu Han
N1 - Record validation is solely based on the information provided by the researcher(s) concerned. Suggestions for further amendments or supplementary information can be sent to [email protected]
PY - 2012/8/31
Y1 - 2012/8/31
N2 - a Linda Lai video / PAL 16:9 / b & w / 11m 30s
a single-channel 3-window digital video, adapted and re-edited from a 3-channel computational installation of the same title, a found footage work exploring stylistic mannerism in Hongkong film melodramas in the 1960s.
[Concept / Artist Statement] Door Games Window Frames: Near Drama is originally a generative 3-channel projection consisting of sequences of open-ended drama, now adapted into a single-channel, 3-window combinatorial drama. The work deploys a database of about 500 movie clips extracted from 11 HK Cantonese thrillers and melodramas from the early 1960s. Exploring the mannerism and formulaic structures of such films, I discovered a key feature – the frequent use of the opening and closing of doors to introduce a scene, and the use of windows to highlight emotively charged moments in melodrama.
AB - a Linda Lai video / PAL 16:9 / b & w / 11m 30s
a single-channel 3-window digital video, adapted and re-edited from a 3-channel computational installation of the same title, a found footage work exploring stylistic mannerism in Hongkong film melodramas in the 1960s.
[Concept / Artist Statement] Door Games Window Frames: Near Drama is originally a generative 3-channel projection consisting of sequences of open-ended drama, now adapted into a single-channel, 3-window combinatorial drama. The work deploys a database of about 500 movie clips extracted from 11 HK Cantonese thrillers and melodramas from the early 1960s. Exploring the mannerism and formulaic structures of such films, I discovered a key feature – the frequent use of the opening and closing of doors to introduce a scene, and the use of windows to highlight emotively charged moments in melodrama.
KW - permutation
KW - montage
KW - computational thinking
KW - multi-window video
KW - moving image analysis
KW - found footage
KW - Cantonese melodrama
KW - analysis of cinema through videomaking
M3 - RGC 43 - Film, video
Y2 - 31 August 2012 through 2 September 2012
ER -