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Dismantling the Scaffold

Research output: Creative and Literary Works in Non - textual FormRGC 44 - Performance and participation in exhibits

Abstract

The inaugural exhibition Dismantling the Scaffold, curated by the Hong Kong curator Christina Li and presented by Spring Workshop at Tai Kwun Contemporary, brings together works from local and international artists and collectives, a constellation of artworks which engage with the social and civil structures we collectively inhabit.

The artistic positions in the exhibition aim to open up insights as well as questions that reimagine and examine the established conventions and norms conditioning how we navigate and give shape to our everyday lives. The two major keystones in the exhibition concept are the site’s history and collaboration: the unique background of the site of the former Central Police Station compound—as a police station, magistracy, and prison in the past—as well as the collaboration of two contemporary art organizations at a convergence in their timelines—the beginning of Tai Kwun Contemporary and the planned hiatus of Spring Workshop after its 5-year operation.

The “scaffold”—the main motif for the exhibition—is commonly understood as a temporary support structure deployed while a building is being constructed or repaired. In its lesser-known usage, a scaffold can also refer to a construction used in the past to stage public executions and punishments. The title Dismantling the Scaffold thus brings together these two definitions in order to draw attention to the site’s previous historical function before its current transformation, all the while looking forward to its new role as a permanent cultural institution and heritage site in Hong Kong. Under this central metaphor of the scaffold, artworks in the exhibition explore art’s potential to illuminate and unpack our relationship with society at large. They offer poignant reflections of the invisible and visible structures that constitute and organise our daily existence among our surroundings. The personal and collective artistic presentations raise questions about various issues such as social participation, commodification, exclusion and confinement, urban development, collaboration, and human welfare in both public and private spheres. Dismantling the Scaffold thus hopes to offer alternative interpretations to the social conditions which underpin our experience as human beings.

Artist list

Nadim Abbas, Erkka Nissinen, Magdalen Wong
Big Tail Elephant
Chen Shaoxiong
Luke Ching Chin Wai
Tiffany Chung
Claire Fontaine
Kwan Sheung Chi, Wong Wai Yin
Bing Lee
Leung Chi Wo + Sara Wong
Liang Juhui
Lin Yilin
Roman Ondak
LH02: Pak Sheung Chuen, Jaffe.T, Cathy Tsang, Grace Gut, Siumou Chow
PolyLester
Jhafis Quintero
Superflex and Jens Haaning
Koki Tanaka
Ulay / Marina Abramović
Bik Van der Pol
Yvonne Dröge Wendel
Xijing Men
Xu Tan

Leung Chi Wo exhibits selected works from the "Colour Series", "City Cookie Archive" (with Sara Wong) and "The Spectacle of Space Consumption" (with Sara Wong).
Original languageEnglish
Place of PublicationHong Kong
PublisherTai Kwun Contemporary
Publication statusPublished - Jun 2018
EventDismantling the Scaffold
拆棚
- Tai Kwun Contemporary, Hong Kong, China
Duration: 9 Jun 201819 Aug 2018
https://www.taikwun.hk/en/exhibition/detail/dismantling%20the%20scaffold/2

Bibliographical note

Record validation is based on the information provided by the researcher(s) concerned. Suggestions for further amendments or supplementary information can be sent to [email protected]

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