Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress

Tobias Klein

doi:10.1007/978-3-319-20898-5_61

Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress

Tobias Klein^*

^*Corresponding author for this work

School of Creative Media

Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

2 Citations (Scopus)

Abstract

The paper discusses the possibilities for 3D printing to help over- come the historic schism between manual labour/craftsmanship versus technology, specifically its potential to enable digital craftsmanship. Firstly, It contextualizes digital craftsmanship and introduces debates relating to tooling, application and design strategies, in particular in the field of architecture. Secondly, the paper articulates digital craftsmanship’s properties and associated strategies by discussing three examples of the author’s work. Lastly, it draws attention to the confluence of these properties and agencies through an analysis of the design and 3D printing of a fully wearable dress, titled Incunabula.

Original language	English
Title of host publication	Design, User Experience, and Usability
Subtitle of host publication	Users and Interactions
Editors	Aaron Marcus
Publisher	Springer Verlag
Pages	643-654
ISBN (Electronic)	9783319208985
ISBN (Print)	9783319208978
DOIs	https://doi.org/10.1007/978-3-319-20898-5_61
Publication status	Published - Aug 2015
Event	17th International Conference on Human-Computer Interaction (HCI International 2015) - Los Angeles, United States Duration: 2 Aug 2015 → 7 Aug 2015

Publication series

Name	Lecture Notes in Computer Science
Volume	9187
ISSN (Print)	0302-9743
ISSN (Electronic)	1611-3349

Conference

Conference	17th International Conference on Human-Computer Interaction (HCI International 2015)
Place	United States
City	Los Angeles
Period	2/08/15 → 7/08/15

Research Keywords

3D printing
Digital craftsmanship

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10.1007/978-3-319-20898-5_61

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title = "Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress",

abstract = "The paper discusses the possibilities for 3D printing to help over- come the historic schism between manual labour/craftsmanship versus technology, specifically its potential to enable digital craftsmanship. Firstly, It contextualizes digital craftsmanship and introduces debates relating to tooling, application and design strategies, in particular in the field of architecture. Secondly, the paper articulates digital craftsmanship{\textquoteright}s properties and associated strategies by discussing three examples of the author{\textquoteright}s work. Lastly, it draws attention to the confluence of these properties and agencies through an analysis of the design and 3D printing of a fully wearable dress, titled Incunabula.",

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Klein, T 2015, Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress. in A Marcus (ed.), Design, User Experience, and Usability: Users and Interactions. Lecture Notes in Computer Science, vol. 9187, Springer Verlag, pp. 643-654, 17th International Conference on Human-Computer Interaction (HCI International 2015), Los Angeles, California, United States, 2/08/15. https://doi.org/10.1007/978-3-319-20898-5_61

Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress. / Klein, Tobias.
Design, User Experience, and Usability: Users and Interactions. ed. / Aaron Marcus. Springer Verlag, 2015. p. 643-654 (Lecture Notes in Computer Science; Vol. 9187).

Research output: Chapters, Conference Papers, Creative and Literary Works › RGC 32 - Refereed conference paper (with host publication) › peer-review

TY - GEN

T1 - Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress

AU - Klein, Tobias

PY - 2015/8

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AB - The paper discusses the possibilities for 3D printing to help over- come the historic schism between manual labour/craftsmanship versus technology, specifically its potential to enable digital craftsmanship. Firstly, It contextualizes digital craftsmanship and introduces debates relating to tooling, application and design strategies, in particular in the field of architecture. Secondly, the paper articulates digital craftsmanship’s properties and associated strategies by discussing three examples of the author’s work. Lastly, it draws attention to the confluence of these properties and agencies through an analysis of the design and 3D printing of a fully wearable dress, titled Incunabula.

KW - 3D printing

KW - Digital craftsmanship

UR - https://www.scopus.com/pages/publications/84947241351

UR - https://www.scopus.com/record/pubmetrics.uri?eid=2-s2.0-84947241351&origin=recordpage

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DO - 10.1007/978-3-319-20898-5_61

M3 - RGC 32 - Refereed conference paper (with host publication)

SN - 9783319208978

T3 - Lecture Notes in Computer Science

SP - 643

EP - 654

BT - Design, User Experience, and Usability

A2 - Marcus, Aaron

PB - Springer Verlag

T2 - 17th International Conference on Human-Computer Interaction (HCI International 2015)

Y2 - 2 August 2015 through 7 August 2015

ER -

Digital Craftsmanship The Making of Incunabula, a Fully 3D Printed Wearable Dress

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