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Creative use of soundscape/smellscape protocols for integrated spatial understandings

Research output: Conference Papers › RGC 31A - Invited conference paper (refereed items) › Yes › peer-review

Abstract

This paper reviews an experimental workshop exploring creative ways to use soundscape and smellscape protocols for better spatial understandings. It aims to find out how visual methods such as drawing and making could contribute to the recall process. The reflections of the experimental work address the challenge of gaining integrated spatial information of the sonic and olfactory environments through the current approach based on protocols (e.g. psychoacoustic parameters such as eventful-monotonous, vibrant-chaotic, etc.) and interviews. The protocol is found useful to get an abstract impression of the overall soundscape and smellscape with sound and smell marks. Sound memories are found less object-related whilst smell memories are expressed less in sketches. The discussion suggests a more structured narrative approach will be useful when integrating such artistic methods for spatial details. The sketching and objects making task stimulates crossmodal recall of auditory and olfactory memories.
Original languageEnglish
Pages3437-3443
Number of pages7
DOIs
Publication statusPublished - 4 Oct 2024
Event53rd International Congress & Exposition on Noise Control Engineering (Inter-Noise 2024): from Jules Verne’s world to multi-disciplinary approaches for Acoustics & Noise Control Engineering - La Cité Nantes Congress Centre, Nantes, France
Duration: 25 Aug 2024 → 29 Aug 2024
https://internoise2024.org/

Conference

Conference53rd International Congress & Exposition on Noise Control Engineering (Inter-Noise 2024)
PlaceFrance
CityNantes
Period25/08/24 → 29/08/24
Internet address

Bibliographical note

Full text of this publication does not contain sufficient affiliation information. With consent from the author(s) concerned, the Research Unit(s) information for this record is based on the existing academic department affiliation of the author(s)

Funding

We gratefully acknowledge the contributions from the workshop participants and fund to support this studyfrom the UK Acoustic Network Plus and Conference Mobility Network Fund from Birmingham City University. The work presented in this paper was partially supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China to PerMagnus Lindborg (GRF #11605622 – CityU project #9043455).

Research Keywords

  • soundscape
  • smellscape
  • spatial analysis
  • memory
  • art
  • design
  • crossmodal

RGC Funding Information

  • RGC-funded

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