Abstract
Construction in ENSO is a live audiovisual performance. A variety of models related to climate are used to generate data and presented as sound and moving image in real-time via audiovisualisation, the simultaneous sonification and visualisation of the same source of data.
All sounds are derived through the direct transposition of data to the audible range i.e. audification in the context of auditory display, or non-standard synthesis in the context of music as used by composers such as Xenakis. The same data sources are used at longer time-scales akin to parameter mapping sonification in the context of auditory display, or algorithmic composition in the context of music, which result in pitch, rhythm and phrases to further determine the parameters for the audification/non-standard synthesis.
All sounds are derived through the direct transposition of data to the audible range i.e. audification in the context of auditory display, or non-standard synthesis in the context of music as used by composers such as Xenakis. The same data sources are used at longer time-scales akin to parameter mapping sonification in the context of auditory display, or algorithmic composition in the context of music, which result in pitch, rhythm and phrases to further determine the parameters for the audification/non-standard synthesis.
| Original language | English |
|---|---|
| Publication status | Published - 22 Oct 2024 |
| Event | Australasian Computer Music Conference 2024 (ACMC 2024): Futurity & AIM SYMPOSIUM - Australian Institute of Music, Sydney & Melbourne , Australia Duration: 22 Oct 2024 → 24 Oct 2024 https://www.eventbrite.com.au/e/acmc-2024-sydney-futurity-aim-symposium-tickets-970238899667 https://computermusic.org.au/conferences/acmc2024/ |
Research Keywords
- sound art
- sonic art
- audiovisual art
- algorithmic art
- noise
- audiovisualisation
- laptop performance
- generative art
- sonification
- sound practice
- climate
- generative music
- non-standard synthesis
- visualization
- algorithmic music