TY - CHAP
T1 - Conclusion
AU - Cheung, Chau-kiu
AU - Yue, Xiaodong
PY - 2019/8/30
Y1 - 2019/8/30
N2 - Creativity at personal and contextual levels maintains
a relationship with a number of sociocultural and dispositional
factors. In the first place, sociocultural factors underlie the
preference for meritorious contributions to society as a criterion for
creativity. Moreover, sociocultural factors in terms of regional
creativity, college creativity, and college laxity sustain personal
creativity, whereas college optimism impedes personal creativity. At a
personal level, the dispositions of surgency, gratitude, religious
value, and the feeling of self-esteem buttress creativity. By contrast,
the dispositions of calmness, laxity, optimism, study value, just world
belief, and the feeling of depression obstruct creativity. Moreover,
personal creativity is conducive to the dispositions of gratitude and
religion value and is detrimental to the dispositions of optimism and
study value. Meanwhile, contextual creativity is favorable to the
disposition of forgiveness and the feeling of self-esteem and
forgiveness, and is unfavorable to the dispositions of optimism,
dialecticism, future orientation, and affiliative humor, and the feeling
of life satisfaction. Hence, creativity at personal and contextual
levels shows both favorable and unfavorable effects and bases with other
dispositions and feelings. All the effects and bases are explicable
with the analytic-functionalist framework, which applies voluntaristic
and deterministic mechanisms at the personal and contextual levels,
respectively.
AB - Creativity at personal and contextual levels maintains
a relationship with a number of sociocultural and dispositional
factors. In the first place, sociocultural factors underlie the
preference for meritorious contributions to society as a criterion for
creativity. Moreover, sociocultural factors in terms of regional
creativity, college creativity, and college laxity sustain personal
creativity, whereas college optimism impedes personal creativity. At a
personal level, the dispositions of surgency, gratitude, religious
value, and the feeling of self-esteem buttress creativity. By contrast,
the dispositions of calmness, laxity, optimism, study value, just world
belief, and the feeling of depression obstruct creativity. Moreover,
personal creativity is conducive to the dispositions of gratitude and
religion value and is detrimental to the dispositions of optimism and
study value. Meanwhile, contextual creativity is favorable to the
disposition of forgiveness and the feeling of self-esteem and
forgiveness, and is unfavorable to the dispositions of optimism,
dialecticism, future orientation, and affiliative humor, and the feeling
of life satisfaction. Hence, creativity at personal and contextual
levels shows both favorable and unfavorable effects and bases with other
dispositions and feelings. All the effects and bases are explicable
with the analytic-functionalist framework, which applies voluntaristic
and deterministic mechanisms at the personal and contextual levels,
respectively.
UR - http://gateway.isiknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcAuth=LinksAMR&SrcApp=PARTNER_APP&DestLinkType=FullRecord&DestApp=WOS&KeyUT=000487819500008
U2 - 10.4324/9780429437175-7
DO - 10.4324/9780429437175-7
M3 - Chapter in research book/monograph/textbook (Author)
SN - 978-1-138-34683-3
T3 - Routledge Studies in Asian Behavioural Sciences
SP - 170
EP - 174
BT - Creativity in Chinese Contexts
A2 - Cheung, Chau-kiu
A2 - Yue, Xiaodong
PB - Routledge
ER -