CLOSETED DESIRES AND OPEN SECRETS: Raincoat and Noukadubi

Research output: Chapters, Conference Papers, Creative and Literary WorksRGC 12 - Chapter in an edited book (Author)peer-review

3 Citations (Scopus)

Abstract

What does our knowledge of Riturparno Ghosh as a queer film director contribute to our understanding of his films that are not explicitly gay- or queer-themed works? Raincoat and Noukadubi are both films that intricately anatomise a condition of unrealised desire that is created by the social expectations and constraints of arranged marriage, yet a desire that still exists at a level of ‘open secrecy’, at once acknowledged and disavowed. I argue that both films, Raincoat especially, invoke the metaphor of the ‘closet’ to characterise the mortifying ways in which desire is confined and denied within arranged marriages. By doing so, they evoke, albeit in a manner that is itself closeted or disguised, an analogy between the closet created by compulsory heterosexuality for those who are incipiently homosexual and the rejection of love based on desire created by conditions of, what I shall call, compulsory arrangement. © 2016 Sangeeta Datta, Kaustav Bakshi and Rohit K. Dasgupta.
Original languageEnglish
Title of host publicationRITUPARNO GHOSH
Subtitle of host publicationCinema, gender and art
EditorsSangeeta Datta, Kaustav Bakshi, Rohit K. Dasgupta
PublisherTaylor & Francis
Chapter8
Pages153-169
ISBN (Electronic)9781315666761
ISBN (Print)9781138953901, 9780815395522, 9781317356097, 1317356098
Publication statusPublished - 2016
Externally publishedYes

Publication series

NameSouth Asian History and Culture

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