Abstract
During the height of the COVID-19 pandemic, a creative and technical team used an emerging geological sensor technology to scan the subterranean landscape under a historic plaza in central France, originally the site of a Roman temple buried since Antiquity. This paper will present the resulting trans-disciplinary project that included artists, programmers, designers, archaeologists, geologists, academics, historians, cultural leaders and government agencies all working together to create a series of media works based on what has been hidden in the heart of Clermont-Ferrand for 2,000 years. Ground Penetrating Radar reveals through echo and its haunting visualizations were core to the foundational data used in the artworks but also its theme and metaphor. With the collected data, the team created a site-specific collage of trompe l’oeil anti-sculpture, virtual experiences, films, prints and performances. Place de la Victoire, a cultural heritage landmark, became the source and site of an inverted public experience for inverted times.
| Original language | English |
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| DOIs | |
| Publication status | Published - Jun 2022 |
| Event | 27th International Symposium on Electronic Art, ISEA 2022 - CCCB: Centre de Cultura Contemporània de Barcelona, Barcelona, Spain Duration: 10 Jun 2022 → 16 Jun 2022 https://isea2022.isea-international.org/ https://www.isea-archives.org/proceedings-catalogue-2/ |
Conference
| Conference | 27th International Symposium on Electronic Art, ISEA 2022 |
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| Place | Spain |
| City | Barcelona |
| Period | 10/06/22 → 16/06/22 |
| Internet address |
Research Keywords
- Data Visualization
- Art/Science
- Art Tech
- Site-Specific Art
- Public Art
- Archaeology
- Digital Heritage
- Scanning
- 3D Modelling
- Sensors
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