Audiovisualisation

Ryo Ikeshiro

Audiovisualisation

Ryo Ikeshiro^*

^*Corresponding author for this work

Research output: Conference Papers › RGC 32 - Refereed conference paper (without host publication) › peer-review

Abstract

The session will involve the presentation of two audiovisualisation works by the author based on a three-dimensional Mandelbox fractal: Composition: White Square, White Circle (2013) and Construction in Kneading (2013). The aesthetic implications of the approach of audiovisualisation and its roots in visual music will be discussed.

Audiovisualisation is the simultaneous sonification and visualisation of the same data. Despite the relative ease with which this technique can be carried out, it still remains largely unexplored in comparison to the proliferation of A/V work in general. My claim is that audiovisualisation can serve a didactic purpose through allowing the underlying process behind abstract art to become understood. In addition, I believe that through this approach, the combination of sound and moving image may provide a possible solution to the problematic spectacle of a performance on any electronic device such as a laptop.

Original language	English
Publication status	Published - 23 Nov 2013
Externally published	Yes
Event	Seeing Sound 2013 - Bath Spa University, Bath, United Kingdom Duration: 23 Nov 2013 → 24 Nov 2013 http://www.seeingsound.co.uk/seeing-sound-2013/

Conference

Conference	Seeing Sound 2013
Place	United Kingdom
City	Bath
Period	23/11/13 → 24/11/13
Internet address	http://www.seeingsound.co.uk/seeing-sound-2013/

Bibliographical note

Research Unit(s) information for this publication is provided by the author(s) concerned.

Research Keywords

audiovisualisation
real-time
Mandelbox
fractal
sonification
audification
non-standard synthesis
visualisation
generative
emergent
algorithmic
audiovisual

Other Access Options

Check CityUHK Library

Permanent Link

Right click to copy link

Cite this

@conference{f46b786a57234af8b79d37ec8e95e9ba,

title = "Audiovisualisation",

abstract = "The session will involve the presentation of two audiovisualisation works by the author based on a three-dimensional Mandelbox fractal: Composition: White Square, White Circle (2013) and Construction in Kneading (2013). The aesthetic implications of the approach of audiovisualisation and its roots in visual music will be discussed. Audiovisualisation is the simultaneous sonification and visualisation of the same data. Despite the relative ease with which this technique can be carried out, it still remains largely unexplored in comparison to the proliferation of A/V work in general. My claim is that audiovisualisation can serve a didactic purpose through allowing the underlying process behind abstract art to become understood. In addition, I believe that through this approach, the combination of sound and moving image may provide a possible solution to the problematic spectacle of a performance on any electronic device such as a laptop.",

keywords = "audiovisualisation, real-time, Mandelbox, fractal, sonification, audification, non-standard synthesis, visualisation, generative, emergent, algorithmic, audiovisual",

author = "Ryo Ikeshiro",

note = "Research Unit(s) information for this publication is provided by the author(s) concerned.; Seeing Sound 2013 ; Conference date: 23-11-2013 Through 24-11-2013",

year = "2013",

month = nov,

day = "23",

language = "English",

url = "http://www.seeingsound.co.uk/seeing-sound-2013/",

}

TY - CONF

T1 - Audiovisualisation

AU - Ikeshiro, Ryo

N1 - Research Unit(s) information for this publication is provided by the author(s) concerned.

PY - 2013/11/23

Y1 - 2013/11/23

N2 - The session will involve the presentation of two audiovisualisation works by the author based on a three-dimensional Mandelbox fractal: Composition: White Square, White Circle (2013) and Construction in Kneading (2013). The aesthetic implications of the approach of audiovisualisation and its roots in visual music will be discussed. Audiovisualisation is the simultaneous sonification and visualisation of the same data. Despite the relative ease with which this technique can be carried out, it still remains largely unexplored in comparison to the proliferation of A/V work in general. My claim is that audiovisualisation can serve a didactic purpose through allowing the underlying process behind abstract art to become understood. In addition, I believe that through this approach, the combination of sound and moving image may provide a possible solution to the problematic spectacle of a performance on any electronic device such as a laptop.

AB - The session will involve the presentation of two audiovisualisation works by the author based on a three-dimensional Mandelbox fractal: Composition: White Square, White Circle (2013) and Construction in Kneading (2013). The aesthetic implications of the approach of audiovisualisation and its roots in visual music will be discussed. Audiovisualisation is the simultaneous sonification and visualisation of the same data. Despite the relative ease with which this technique can be carried out, it still remains largely unexplored in comparison to the proliferation of A/V work in general. My claim is that audiovisualisation can serve a didactic purpose through allowing the underlying process behind abstract art to become understood. In addition, I believe that through this approach, the combination of sound and moving image may provide a possible solution to the problematic spectacle of a performance on any electronic device such as a laptop.

KW - audiovisualisation

KW - real-time

KW - Mandelbox

KW - fractal

KW - sonification

KW - audification

KW - non-standard synthesis

KW - visualisation

KW - generative

KW - emergent

KW - algorithmic

KW - audiovisual

M3 - RGC 32 - Refereed conference paper (without host publication)

T2 - Seeing Sound 2013

Y2 - 23 November 2013 through 24 November 2013

ER -

Audiovisualisation

Abstract

Conference

Bibliographical note

Research Keywords

Other Access Options

Permanent Link

Fingerprint

Cite this