TY - JOUR
T1 - Assessing digital multimodal composing in second language writing
T2 - Towards a process-based model
AU - Hafner, Christoph A.
AU - Ho, Wing Yee Jenifer
PY - 2020/3
Y1 - 2020/3
N2 - Research into digital multimodal composing highlights its potential effectiveness as an engaging, motivating, autonomy-enhancing, voice-enhancing and authentic activity for L2 writers. While considerable work has gone into developing and evaluating pedagogies for digital multimodal composing, one underresearched area is that of assessment. Given that the primary goal of digital multimodal composing is to develop competencies in multiple modes (including language) the question here is how to reflect this goal in the design of appropriate assessment criteria. In particular, teachers and researchers need to establish what dimensions of multimodal communicative competence to assess and how. In this paper, we present a case study of a university English for science course in which one of the assignments is a digital video scientific documentary. The study draws on interviews with teachers in order to determine how they conceive of the multimodal assessment task, including practical issues as well as challenges faced. The article proposes a process-based model for the assessment of digital multimodal composing, which shows how processes of instruction, design activity and assessment interact. Assessment can be planned at different stages of the design activity, draw on formative and summative strategies, and must take into account the orchestration of multimodal affordances.
AB - Research into digital multimodal composing highlights its potential effectiveness as an engaging, motivating, autonomy-enhancing, voice-enhancing and authentic activity for L2 writers. While considerable work has gone into developing and evaluating pedagogies for digital multimodal composing, one underresearched area is that of assessment. Given that the primary goal of digital multimodal composing is to develop competencies in multiple modes (including language) the question here is how to reflect this goal in the design of appropriate assessment criteria. In particular, teachers and researchers need to establish what dimensions of multimodal communicative competence to assess and how. In this paper, we present a case study of a university English for science course in which one of the assignments is a digital video scientific documentary. The study draws on interviews with teachers in order to determine how they conceive of the multimodal assessment task, including practical issues as well as challenges faced. The article proposes a process-based model for the assessment of digital multimodal composing, which shows how processes of instruction, design activity and assessment interact. Assessment can be planned at different stages of the design activity, draw on formative and summative strategies, and must take into account the orchestration of multimodal affordances.
KW - Assessment
KW - Multimodality
KW - Digital video
KW - Multimodal composing
KW - English for specific purposes
KW - Digital multimodal composing
UR - http://www.scopus.com/inward/record.url?scp=85078927748&partnerID=8YFLogxK
UR - https://www.scopus.com/record/pubmetrics.uri?eid=2-s2.0-85078927748&origin=recordpage
U2 - 10.1016/j.jslw.2020.100710
DO - 10.1016/j.jslw.2020.100710
M3 - RGC 21 - Publication in refereed journal
SN - 1060-3743
VL - 47
JO - Journal of Second Language Writing
JF - Journal of Second Language Writing
M1 - 100710
ER -