Abstract
In stop motion and photography-based animation, meaning is anchored within the real world. In abstract animation, how do analog sources impact the viewer’s reading of moving image work, compared with digitally-derived materials set within a virtual space that is removed from the everyday? How does the function of representation and symbolism differ, depending on whether the work is set within an analog or a digital space? Through a discussion of some of his photography-based films, including Serial Parallels, Shift, and Concrete Abstraction: Road Triptych, Max Hattler proposes some answers to these questions and offers suggestions on how they can be leveraged as creative filmmaking techniques.
| Original language | English |
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| Publication status | Published - Sept 2020 |
| Event | Ars Electronica 2020 - 8th Expanded Animation Symposium, Expanded Animation 2020: Appeal of the Analog - Virtual, Austria Duration: 11 Sept 2020 → 13 Sept 2020 https://expandedanimation.com/ea2020/ https://ars.electronica.art/keplersgardens/files/2020/11/Festival2020.pdf |
Conference
| Conference | Ars Electronica 2020 - 8th Expanded Animation Symposium, Expanded Animation 2020: Appeal of the Analog |
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| Place | Austria |
| Period | 11/09/20 → 13/09/20 |
| Internet address |
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