Abstract
本文旨在考察漢代四神的起源。提出濮陽西水坡的龍、虎圖像與曾侯乙出土衣箱上的龍虎圖像之間時間相隔太遠,并無中間環節,從而不具有直接淵源關系。進而論證衣箱兩側為代表南方的火戎鳥和代表北方的龜形象。從而得出曾墓漆畫是四神的最早實例。
| Translated title of the contribution | 漢代流行的四靈圖像始見於新石器時代？——河南濮陽西水坡及河北隨縣曾侯乙墓出土龍虎圖像再議 |
|---|---|
| Original language | Chinese (Simplified) |
| Pages | 56-67 |
| Number of pages | 12 |
| Publication status | Published - Oct 2004 |
| Event | 中国汉画学会第九届年会 - 济宁, China Duration: 19 Oct 2004 → 21 Oct 2004 http://cioha.org/xhjj |
Conference
| Conference | 中国汉画学会第九届年会 |
|---|---|
| Place | China |
| City | 济宁 |
| Period | 19/10/04 → 21/10/04 |
| Internet address |
Bibliographical note
Information for this record is supplemented by the author(s) concerned.Research Keywords
- 四灵
- 曾侯乙
- 龙虎图像
- 濮阳西水坡
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver