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Sangjoon LEE

Prof. Sangjoon LEE

  • CMC-M7008

Accepting PhD Students

20112025

Research activity per year

Personal profile

Author IDs

Scopus Author ID: 57026787300
Google Scholar Profile: 6r5Zr-8AAAAJ

Impact

Qualifications (Brief)

Ph.D. in Cinema Studies (2011)

Tisch School of the Arts, New York University

 

M.A. in Cinema and Media Studies (2005)

University of California-Los Angeles (UCLA)

BFA in Film (2000)

Dankook University, South Korea

Biography

Dr Sangjoon Lee is a scholar of Asian cinema and media whose interests span South Korean cinema and popular culture, international film festival, the Cultural Cold War, and the film and digital media industries in contemporary Asia. He has extensively investigated Asian cinema in its socio-historical and industrial contexts, paying particular attention to issues of the national and the transnational, questions of ownership and control, the new regionalism, industrial networks, and the unprecedented cultural flows and mixing in cinema and media around Asia and the globe.  
 
Lee is the author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (Cornell University Press, 2020; Korean edition in 2023 and Chinese edition in 2024) and the editor/co-editor of Hallyu 2.0: The Korean Wave in the Age of Social Media (University of Michigan Press, 2015), Rediscovering Korean Cinema (University of Michigan Press, 2019; 2020 CHOICE Outstanding Academic Title), The South Korean Film Industry (University of Michigan Press, 2024), Remapping the Cold War in Asian Cinemas (Amsterdam University Press, 2024), and The Routledge Companion to Asian Cinemas (Routledge, 2024). He is also the guest editor of "Is Netflix Riding the Korean Wave or Vice Versa?" (International Journal of Communication, 2023), “Reorienting Asian Cinema in the Age of the Chinese Film Market (Screen, 2019), “The Chinese Film Industry: Emerging Debates” (Journal of Chinese Cinemas, 2019), and “Transmedia and Asian Cinema” (Asian Cinema, 2020). Lee is currently completing a new monograph Destination Hong Kong: South Korean Cinema's Encounter with Sinophone Cinemas, while working on a new edited volume on Netflix and the South Korean Media Industry. Lee is the recipient of the Jay Leyda Award for Academic Excellence (2011) and the David H. Culbert Prize for the Best Article in Film and Media History by an Established Scholar (2019). Lee's works have been translated into Korean, Japanese, Chinese, and Italian.  

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Collaborations from the last five years

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