ORCID iD: 0000-0002-2825-7612
Scopus Author ID: 24921017600

Metrics for Academic and Research Impact

Dr. Damien Charrieras is a cultural studies scholar and a new media theorist. He is currently Program Leader for the Master of Art in Creative Media.
He is the director of the Center for Blockchain and Generative Culture (CBGC) and conducts a humanistic inquiry into the recent surge of technologies of decentralization (blockchain, cryptos, AI, Metaverse). The CBGC explores how technologies of decentralization reconfigure digital worldmaking, techno-cultures, computational aesthetics, and spatial media. 
His current funded projects investigate situated forms of digital creativity in urban setting (media arts; electronic music); the diverse technologies used to conceive 3D real time environment (especially game engines); blockchain in video games and art; discursive approaches to creative software; new pedagogical approaches to Critical Worldbuiling. Over the past 8 years his successful grants as Principal Investigator totalise HK$ 3,14M.
He recently co-edited the volume Fractured Scenes - Underground Music-Making in Hong Kong and East Asia (Palgrave MacMillan, 2021) as well as Electronic Cities: Music, Policies and Space in the 21st Century (Palgrave MacMillan, 2021). He co-authored a public policy report for the Policy Innovation and Co- ordination Office (PICO), Hong Kong S.A.R. Government (The Development of a New Media Expertise in the Creative Economy of Hong Kong, 171p., 2019). His papers have been published in Cities (Elsevier), Organised Sound (Cambridge University Press), Social Science Information (Sage) and Human Relations (Tavistock Institute, Sage). He published several book chapters in edited volumes (Palgrave MacMillan).
He has served as a reviewer for New Media and Society (Sage), Screen (Oxford University Press), Continuum (Routledge), Sustainable Cities and Society (Elsevier), Communication and the Public (Sage), International Journal of Knowledge-Based Development (Inderscience Publishers), Philosophy and Technology (Springer), Amsterdam University Press (book manuscript reviewer).
He has been FRQSC postdoc fellow at McGill University (2010-2012), a visiting scholar at Brown University (Modern Culture and Media) and New York University (Music); he worked as a researcher at the Institut National de l’Audiovisuel (Paris), at the Centre National de la Cinématographie (Paris) and at the Institut National de la Recherche Scientifique (Montréal).
Formation
Sciences Po Lyon diploma (multidisciplinary foundation in the humanities and social sciences, major in Economy & Finance) - Lyon Institute of Political Studies
French Press Institute diploma (information and communication studies) - French Press Institute, Paris 2 Panthéon-Assas University
Master of Advanced Studies in Media and Multimedia Studies, French Press Institute, Paris 2 Panthéon-Assas University
PhD in film studies, Sorbonne Nouvelle Paris 3 University
PhD in communication studies, University of Montreal

Areas of Research
* creative urban ecologies in contemporary societies; artistic scenes/practices/aesthetics (new media arts, electronic/experimental music); cultural policies; artistic expertise in the creative economy; new media art education
* politics of finance, arts and technologies; new financial technologies in art
* creative software infrastructures; creative acts, instruments and instrumentalities in the digital age; post-anthropocentric forms of creativity;
* world building

Areas of scholarly interest
* cultural studies, cultural policy research, cultural sociology, urban media studies, creative industries, popular music studies
* information sciences, interface studies, platform studies, infrastructure studies
* critical new media, studies, media theory, media ecology, sound studies
* new materialism, foucault, process philosophy, radical empiricism, cognitive approaches to creation, philosophy of technology